Mohiniyattam
This classical dance form of Kerala was first performed by women in temples, over a thousand years ago, as an offering to God, their beloved. The movements may appear simple, but effort is required to capture the grace, suggestive of ocean waves, as seen in goddess Mohini, the Enchantress. This dance form exudes enchantment grace and passion. Mohiniyattam is a fusion of ' Bharathanatyam ' and ' Kathakali ', as it combines the graceful elegance of Bharatanatyam and dynamism and vigour of Kathakali. The performances are done only by women. In Mohiniyattam, the Lasya element of dancing is predominant, and the mood created is Sringaram (erotic) Mohiniyattam literally means the 'Dance of the Temptress'.
Mohiniyattam in Kerala took shape in the tradition of Devadasi dance and grew and developed a classical status. The word 'Mohini' literally means a maiden who excites desire or steals the heart of the on looker. It is a solo female dance (in a single costume ) in which the striking features is the musical melody and rhythmical swaying of the dancer from side to side and the smooth and unbroken flow of the body movement. The dance is focused essentially on feminine moods and emotions.There are two stories of the Lord Vishnu disguised as a Mohini. In one, he appears as Mohini to lure the asuras (demons) away from the amrita (nectar of immortality) obtained during the churning of the palazhi or Ocean of Milk.In the second story Vishnu appears as Mohini to save Lord Shiva from the demon Bhasmasura. The name Mohiniyattam may have been coined after Lord Vishnu, and the main theme of the dance is love and devotion to God, with usually Vishnu or Krishna being the hero. Devadasis used to perform this in temples. But it also has elements of Koothu and Kottiyattom in it. Mohiniyattam is a drama in dance and verse.
This dance which has influences and elements from two South Indian dance forms, the Bharatanatyam and Kathakali, was formulated in the court of king Swati Tirunal by Vadivelu, one of the Thanjavur Quartet. The dance involves the swaying of broad hips and the gentle movements of erect posture from side to side. This is reminiscent of the swinging of the palm leaves and the gently flowing rivers which abound Kerala, the land of Mohiniyattam. There are approximately 40 different basic movements, known as 'atavukal', in Mohiniyattam.Revival of Mohiniyattam during the later part of 20th Century is deeply indebted to the constructive contributions of the three Pillars, i.e. Sri Swathi Thirunal Rama Varma , Sri Vallathol Narayana Menon (a great poet and founder of the institution, Kerala Kalamandalam) and Smt. Kalamandalam Kalyanikutty Amma (who is considered as “the mother of Mohiniyattam”) for its revival. Guru Kallyanikutty Amma cleared the mythical mystery behind the name of this dance form and gave it the most convincing explanation based on truth, social and historical evolution, interpreting Mohiniyattam as the dance of a beautiful lady than that of a mythical enchantress from heaven.
The costume includes white sari embroidered with bright golden brocade (known as kasavu at the edges. The dance follows the classical text of Hastha Lakshanadeepika, which has elaborate description of Mudras (gestural expressions by the hand palm and fingers).The vocal music of Mohiniyattam involves variations in rhythmic structure known as chollu. The lyrics are in Manipravalam, a mixture of Sanskrit and Malayalam. The Mohiniyattam dance is performed to this accompaniment by the subtle gestures and footwork of the danseuse. The performer uses the eyes in a very coy yet sensual manner, the purpose being to enchant the mind without enticing the senses.
Mohiniyattam in Kerala took shape in the tradition of Devadasi dance and grew and developed a classical status. The word 'Mohini' literally means a maiden who excites desire or steals the heart of the on looker. It is a solo female dance (in a single costume ) in which the striking features is the musical melody and rhythmical swaying of the dancer from side to side and the smooth and unbroken flow of the body movement. The dance is focused essentially on feminine moods and emotions.There are two stories of the Lord Vishnu disguised as a Mohini. In one, he appears as Mohini to lure the asuras (demons) away from the amrita (nectar of immortality) obtained during the churning of the palazhi or Ocean of Milk.In the second story Vishnu appears as Mohini to save Lord Shiva from the demon Bhasmasura. The name Mohiniyattam may have been coined after Lord Vishnu, and the main theme of the dance is love and devotion to God, with usually Vishnu or Krishna being the hero. Devadasis used to perform this in temples. But it also has elements of Koothu and Kottiyattom in it. Mohiniyattam is a drama in dance and verse.
This dance which has influences and elements from two South Indian dance forms, the Bharatanatyam and Kathakali, was formulated in the court of king Swati Tirunal by Vadivelu, one of the Thanjavur Quartet. The dance involves the swaying of broad hips and the gentle movements of erect posture from side to side. This is reminiscent of the swinging of the palm leaves and the gently flowing rivers which abound Kerala, the land of Mohiniyattam. There are approximately 40 different basic movements, known as 'atavukal', in Mohiniyattam.Revival of Mohiniyattam during the later part of 20th Century is deeply indebted to the constructive contributions of the three Pillars, i.e. Sri Swathi Thirunal Rama Varma , Sri Vallathol Narayana Menon (a great poet and founder of the institution, Kerala Kalamandalam) and Smt. Kalamandalam Kalyanikutty Amma (who is considered as “the mother of Mohiniyattam”) for its revival. Guru Kallyanikutty Amma cleared the mythical mystery behind the name of this dance form and gave it the most convincing explanation based on truth, social and historical evolution, interpreting Mohiniyattam as the dance of a beautiful lady than that of a mythical enchantress from heaven.
The costume includes white sari embroidered with bright golden brocade (known as kasavu at the edges. The dance follows the classical text of Hastha Lakshanadeepika, which has elaborate description of Mudras (gestural expressions by the hand palm and fingers).The vocal music of Mohiniyattam involves variations in rhythmic structure known as chollu. The lyrics are in Manipravalam, a mixture of Sanskrit and Malayalam. The Mohiniyattam dance is performed to this accompaniment by the subtle gestures and footwork of the danseuse. The performer uses the eyes in a very coy yet sensual manner, the purpose being to enchant the mind without enticing the senses.
